‘Is opera the most misogynistic art form?’ asked Charlotte Higgins in The Guardian back in 2016, noting that the genre itself seems to devour women. In Classical Music Magazine in 2020, Becca Marriott argued that ‘Sexism is preventing women from forging a career in opera’. Over the course of the next episodes, we are looking at how voices in opera are calling for change to make it better for the next generation of operatic talent. In this episode, we explore misogyny in opera both on the stage and behind the scenes, and investigate the lived experience of artists who are striving to make the opera world a place where everyone feels welcome, respected and safe.