Preloader Operavision
Annemie Augustijns
01.04.2018 at 15h00 CET
Sunday, April 1, 2018 - 15:00

Opera Ballet Vlaanderen


Cornelius Meister conducts Opera Vlaanderen's acclaimed production of Parsifal.

Operas | Wagner

Sung in German

Subtitled in English, German and French with possibility of auto-translation into 114 other languages.

Available from
01.04.2018 at 15h00 CET

Available until
20.09.2018 at 23h59 CET

AmfortasChristoph Pohl
TiturelMarkus Suihkonen
GurnemanzStefan Kocan
ParsifalErin Caves
KlingsorKay Stiefermann
KundryTanja Ariane Baumgartner
A Voice from AboveTanja Ariane Baumgartner
ChorusKoor Opera Vlaanderen/Kinderkoor Opera Vlaanderen
OrchestraSymfonisch Orkest Opera Vlaanderen

MusicRichard Wagner
ConductorCornelius Meister
DirectorTatjana Gürbaca
Set DesignerHenrik Ahr
Costume DesignerBarbara Drosihn
Lighting DesignerStefan Bolliger
Chorus MasterJan Schweiger
DramaturgBettina Auer

Act I

In the Pyrenees, the old Knight Titurel lives in the Castle of Montsalvat where the Grail is held. His son, Amfortas, had been injured by the magician Klingsor, enemy of the Knights of the Grail, by his own Holy Spear, the arm that injured the Christ. Amfortas can only be healed by the contact with this Spear.

In the forest, around the castle, the Knight Gurnemanz and his two knaves meet Kundry, messenger of the knights of the Grail to whom Klingsor cast an evil spell. She brings a balsam from Arabia to cure the king. He accepts but it has been said that only “an innocent with a pure heart” would be able to get the Lance back and cure him.

A young man, guilty of having killed one of the sacred swans of Montsalvat, is brought in by a troop of warriors. It’s Parsifal, a young wandering knight, who seems to know nothing about his origins.

Act II

At the Castle of Klingsor, the latter asks Kundry to entice Parsifal to make him sin, so that he can retrieve the Holy Grail. Klingsor then transforms his castle into a beautiful garden where young girls in bloom use their charm to seduce Parsifal, in vain. Only Kundry is able to do so.

As he realises that he has sinned, Parsifal composes himself and cries out his pain. Upset, Kundry understands she has to break Klingsor’s enchantment and look for redemption in Parsifal’s love. But Kundry is rejected by him, so she decides to call Klingsor who cast the Holy Spear. Parsifal seizes it, makes the sign of the cross: Klingsor and his castle get destroyed and Kundry faints.


Gurnemanz lives as a hermit not far from the mountain of Grail. Kundry visits him, asking him to serve again the Knights of the Grail when suddenly, a black-armored knight arrives: it’s Parsifal. Gurnemanz understands he is the “innocent with a pure heart” and crown him king of Grail and baptizes Kundry. Back to the castle of Grail, Parsifal heals Amfortas by touching him with the Holy Spear. Eventually forgiven, Kundry dies.

5 things to know about Parsifal

1° The themes dear to Wagner gathered in his last opera

Composed in the last years of his life from 1877 to 1882 (he died in 1883), Parsifal is the fruit of a mature reflection, a kind of point of acme of the most dear themes to Wagner. The Middle Ages first, since the libretto is taken from Wolfram von Eschenbach's medieval poem, Parzival, written at the beginning of the 13th century - a text that itself drew its influences from the Perceval by Chrétien de Troyes and Celtic legends. But also faith, human relations, female psychology with the central character of Kundry, and above all, redemption. It is undoubtedly not a coincidence that the German composer entitled his work Parsifal Bünhnenweihfestspiel, or ‘sacred scenic festival’, marking more than ever his interest for religion and philosophy: Christian symbolism, Buddhism, and finally Schopenhauer's philosophy (The World as Will and Representation) makes it a work tinged with mysticism.

2° Italy, a source of inspiration

During this period, Wagner travels regularly to Italy where he draws for a large part his inspiration for various purposes. He visits the gardens of Villa Rufolo in the city of Ravello that inspire him for the staging of Parsifal, especially the scene at Klingsor Castle turned into a beautiful garden with young girls in bloom trying to seduce Parsifal. He also visits the city of Siena with his friend the painter Paul von Joukowsky, and in particular the cathedral, which inspires him the temple where lies the Holy Grail. The Grand Hotel and Des Palmes, via Roma in Palermo, where he finished the score in 1882, pays tribute to him with his bust enthroned in its superb hall.

3° Some measurements written by Humperdinck...

While the composition of the work is not yet complete, the rehearsals begin in Bayreuth, and the German composer Humperdinck (Hänsel and Gretel) was a great help a few days before the premiere. Indeed, the machinery system for scenery  change of the first act was not fast enough to match the score. Humperdinck, who was assisting Wagner, took the lead in relieving his master with the idea of ​​composing some additional measures to allow the set and the music to coincide. Of course, once the machinery problems were solved some time later, Humperdinck’s notes were removed from the score.

4° A triumphal welcome in Bayreuth

The premiere of the Sacred Scenic Festival is given in Bayreuth on 26 July 1882, under the baton of Herman Levy and 16 performances followed. It is a huge success. With a duration of 5 hours on average, Parsifal is one of the longest operas ever composed, although its duration varies from one conductor to another. If his friends Liszt, Bruckner, Strauss are there to attend the opera, King Ludwig II was unable to attend the performance, much to Wagner's displeasure. The Bayreuth Festival will retain Parsifal performance rights for almost 20 years, thus allowing - with a few exceptions - no performance of the opera outside the Sacred Hill.

5° A director awarded several times

For her production of Parsifal at Opera Vlaanderen premiered in 2013, director Tatjana Gürbaca received the Opera Award for Best Anniversary Production of a Wagner Opera in London. She is also voted by the German magazine Opernwelt Best Director of the Year 2013, while the production is consecrated by the magazine as the best of the 2012-2013 season. Tatjana Gürbaca sees in this production an end game between two worlds in crisis. Although the Grail community and Klingsor's world are opposed, they remain inevitably linked through Kundry, who serves these two worlds. In Gürbaca's vision, Kundry becomes the focal point of all history, the woman who sacrifices herself for both communities and in which all the paradoxes and contradictions of history converge.