Rise and Fall of the City of Mahagonny
Rise and Fall of the City of Mahagonny
Teatro Regio di Parma

Rise and Fall of the City of Mahagonny

Weill
Streamed on Available until Recorded on
Sung in
German
Subtitles in
English
Italian
German

In an imaginary American city, God consigns its licentious citizens to hell but they truculently reply that they are already there. Mahagonny ‘the city of nets’ is founded in the desert by three criminals on the run from the police. It is to be a city devoted to pleasure. The only god is money. So Jimmy Mahoney, the hedonistic lumberjack, is condemned to death for being unable to pay the bill for the whisky he has consumed.

A testament to the fertile but fraught collaboration between composer Kurt Weill and man of theatre Bertolt Brecht, Rise and Fall of the City of Mahagonny is one of the great operas of the 20th century. Brecht might have resented the dominance of the music over the words but together they created a work with rich melody and unstoppable dramatic momentum.  The expressionistically grotesque trial scene leads inexorably to the hit-tune finale where Mahagonny’s citizens stage mass demonstrations. Director Henning Brockhaus takes inspiration from artist Edward Hopper’s painting of mythical America. For him, the citizens of Mahagonny are a constant threatening presence, like the uneasy shadows in a Hopper’s painting which evokes the dystopia of rampant capitalism.

Cast

Tobby Higgins
Christopher Lemmings
Leokadja Begbick
Alisa Kolosova
Fatty
Chris Merritt
Trinity Moses
Zoltan Nagy
Jenny Hill
Nadja Mchantaf
Jimmy Mahoney
Tobias Hächler
Jack O’Brien
Matthias Frey
Bill
Simon Schnorr
Joe
Jerzy Butryn
Narrator
Filippo Lanzi
Citizens of Mahagonny
Roxana Herrera, Elizabeth Hertzberg, Yuliia Tkachenko, Cecilia Bernini, Kamelia Kader, Mariangela Marini
Chorus
Coro del Teatro Regio di Parma
Orchestra
Orchestra dell Emilia-Romagna "Arturo Toscanini"
...
Music
Kurt Weill
Text
Bertolt Brecht
Conductor
Christopher Franklin
Director
Henning Brockhaus
Sets
Margherita Palli
Lighting
Pasquale Mari
Costumes
Giancarlo Colis
Chorus Master
Martino Faggiani
...

Videos

Trailer

Sneak peek at Rise and Fall of the City of Mahagonny

To hell and beyond with a 20th century masterpiece.

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Synopsis

The story of Rise and Fall of the City of Mahagonny

A video synopsis by narrator Filippo Lanzi and pianist Gianluca Ascheri.

In an imaginary American city, God consigns its licentious citizens to hell but they truculently reply that they are already there. Mahagonny ‘the city of nets’ is founded in the desert by three criminals on the run from the police. It is to be a city devoted to pleasure. The only god is money. So Jimmy Mahoney, the hedonistic lumberjack, is condemned to death for being unable to pay the bill for the whisky he has consumed.

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Behind the scenes

Margherita Palli (Set designer)

In this interview Margherita Palli, set designer of ‘Rise and Fall of the City of Mahagonny’, explains the sources of her inspiration - from fine art to popular culture. Among others, she cites the artist, Ibrahim Mahama, and the movie ‘Isle of dogs’ by Wes Anderson. Find out more about how Palli evokes the Far West as an ever-present backdrop to this production.

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Behind the scenes

Martino Faggiani (chrous master)

Interview with chorus master Martino Faggiani.

A testament to the fertile but fraught collaboration between composer Kurt Weill and man of theatre Bertolt Brecht, Rise and Fall of the City of Mahagonny is one of the great operas of the 20th century. Brecht might have resented the dominance of the music over the words but together they created a work with rich melody and unstoppable dramatic momentum. The expressionistically grotesque trial scene leads inexorably to the hit-tune finale where Mahagonny’s citizens stage mass demonstrations. Director Henning Brockhaus takes inspiration from artist Edward Hopper’s painting of mythical America. For him, the citizens of Mahagonny are a constant threatening presence, like the uneasy shadows in a Hopper’s painting which evokes the dystopia of rampant capitalism.

Read lessRead more
Behind the scenes

Christopher Franklin (Conductor)

In this interview, Christopher Franklin, conductor of ‘Rise and Fall of the City of Mahagonny’ dives into the complexity of the opera. Franklin highlights the variety of composing styles that Weill assembled and transposed for instruments not usually seen in opera orchestras - appearing both on stage and in the pit. The scores require that all the singers and musicians embrace these changing genres throughout the performance.

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Behind the scenes

Valentina Escobar (Choreographer)

This interview for Rise and Fall of the City of Mahagonny at Teatro Regio di Parma sees Valentina Escobar, the opera’s choreographer. Movements are carefully adapted to the roles played by the dancers: prostitutes, tramps and the bourgeois. The irony of this choreography meets the theatre of Brecht and allows the performers to express their creative identity at best.

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Behind the scenes

Henning Brockhaus (Director)

Henning Brockhaus, director of ‘Rise and Fall of the City of Mahagonny’ introduces us to Weill & Brecht’s city of licentious desires. Brockhaus imagines the impact that the opera would have had on the first audiences in the late 1920s, when the Baden-Baden premiere was a ‘succès de scandale’. In 2020s, the portrayal of poverty and precarious living has lost none of its edge, says Brockhaus.

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Behind the scenes

Behind the scenes of Rise and Fall of the City of Mahagonny

This behind the scenes of Rise and Fall of the City of Mahagonny features the technical staff of Teatro Regio di Parma dealing with the opera’s sets. This time lapse gives the idea of the effort and precision needed to handle scenery.

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Behind the scenes

Behind the scenes of Rise and Fall of the City of Mahagonny

Welcome to this behind the scenes of Rise and Fall of the City of Mahagonny from Teatro Regio di Parma, where we can see the moments preceeding the performance.

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The story

Act I

A desolate region. Leocadia Begbick, Trinity Moses, and Fatty the Bookkeeper—three fugitives from justice—can go no further because their truck has broken down. Word has reached them that gold is being found on the coast. “You’ll get more gold from men than from rivers,” says Mrs. Begbick, and they decide to found a new city—Mahagonny, “town of nets.” Here man will be able to do whatever he pleases. The town grows. Jenny arrives with six other girls. News of Mahagonny reaches the big cities. Fatty and Trinity Moses recruit people to their new paradise. The discontented of the world make their way to Mahagonny. Among the arrivals are four lumberjacks from Alaska: Jimmy Mahoney, Jacob Schmidt, Moneybags Billy, and Alaska Wolf Joe. Mrs. Begbick welcomes them and offers them their choice of girls. Jimmy chooses Jenny. Mrs. Begbick, Fatty, and Trinity Moses lament the falling prices in Mahagonny. No one is making any money. The town of nets is catching nothing. People are leaving. Jimmy is disappointed. There are too many signs prohibiting things. Nothing makes him happy—not the cheap liquor, the peace and quiet, smoking or sleeping. Something is missing. For seven years he worked and froze in Alaska and saved his money. Now he has come to Mahagonny and found nothing except too much peace, too much unity, and too much for man to rely on. A hurricane threatens Mahagonny. During this dreadful night, Jimmy Mahoney discovers the laws of human happiness: “Typhoons do not leave much wreckage compared with us men when looking for amusement. Whatever chaos they can cause, we men will surpass it.” Everyone should take whatever he wants and not be bound by any laws.

Act II

The hurricane has spared Mahagonny. The word in Mahagonny now is “Do it!” One year later Mahagonny is booming. Jacob Schmidt eats himself to death, the brothel does brisk business, and Alaska Wolf Joe is killed in a prizefight with Trinity Moses. Jimmy, having bet all his money on Joe, is broke. Jimmy, even though he has no cash, treats all the men to drinks at the bar. He imagines himself escaping from Mahagonny and returning to Alaska on a ship. His dream is interrupted brusquely by Trinity Moses, who demands that Jimmy pay up for the drinks. Jimmy cannot pay and the others won’t help—he has committed a crime punishable by death.

Act III

Jimmy is chained to a tree. He wishes the sun would not rise on the day of his impending trial. Trinity Moses, the prosecutor, is selling tickets to the trials. Toby Higgins is acquitted of murder after passing money to the court. Jimmy’s case is next. He asks Billy for money, invoking memories of their days in Alaska, but Billy won’t help. Jimmy is charged with seducing Jenny, with singing a cheerful song on the night of the hurricane, with inciting the people of Mahagonny to abolish law and order, and with abetting the murder of Alaska Wolf Joe. For these crimes he is sentenced to prison and hard labor; but for having no money to pay his debts—the greatest of crimes—he is sentenced to death. The people of Mahagonny look to the town of Benares for help, as others once looked to Mahagonny. But Benares has been struck by an earthquake. Jimmy says goodbye to Jenny. When he tries to delay his execution by reminding the people of Mahagonny that there is a God, they perform the play “God Comes to Mahagonny.” It tells how the Almighty condemns the town and is overthrown by its citizens, who declare that they can’t be sent to hell because they are already in hell. Jimmy is executed. During the final days of Mahagonny, the survivors demonstrate for their ideals, each against the other.