Colin treats his friends to dishes prepared by his chef Nicolas, invents a piano cocktail to match drinks to melodies, and dreams of true love. When Chloé enters his life, happiness seems complete. But a sinister water lily is slowly growing in the young woman's lung.
Boris Vian wrote L'Écume des jours (Froth on the Daydream) in just a few weeks at the age of 26. Behind the enigmatic and luminous title of this novel, published in post-war Paris, lies an ambiguous story. Imbued with surrealist poetry, where mice talk and lovers hide in a pink cloud, the fantastical tale gradually turns into a drama about the fleeting and elusive nature of happiness. The book, which became a cult classic in the 1960s, has been adapted many times for the theatre and cinema, and then for the opera stage by Soviet composer Edison Denisov. Fascinated by French culture and Western European music, Denisov found in the narrative freedom of L'Écume fertile ground for broadening his musical horizons beyond those prevailing the other side of the Iron Curtain. He intertwines jazz, large Russian-inspired liturgical choirs, references to Wagner's Tristan and Isolde, and even a tribute to the sound of Orthodox bells. For Opera de Lille’s new production, the first in France since its premiere in 1986, Lebanese-Polish Bassem Akiki conducts and French-Polish director Anna Smolar directs. They both seek out the poetry and humour in this modern classic about the complexity of illness, and what it means to be free to live and die according to one's own rules.
CAST
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Chloé / The Cat
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Josefin Feiler
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Colin
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Cameron Becker
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Alise
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Katia Ledoux
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Chick
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Elmar Gilbertsson
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Nicolas
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Edwin Crossley-Mercer
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Isis
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Natasha Te Rupe Wilson
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Pegase / The Priest / The Seneschal
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Robin Neck
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Jesus / The Factory Director
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Maurel Endong
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Coriolan / Professor Mangemanche
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Matthieu Lécroart
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The Mouse
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Małgorzata Gorol
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A little girl
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Madeleine Penet-Avez
Violette Picot
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Dancers
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Yohann Baran
Camerone Bida
Clara Brunet
Florie Laroche
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Actor, magician
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Rémy Berthier
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Orchestra
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Orchestre National de Lille
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Chorus
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Chœur de l’Opéra de Lille
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Music
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Edison Denisov
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Text
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Boris Vian
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Director
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Anna Smolar
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Conductor
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Bassem Akiki
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Sets
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Anna Met
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Costumes
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Julia Kornacka
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Lights
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Felice Ross
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Choreography
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Paweł Sakowicz
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Video
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Natan Berkowicz
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Chorus master
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Virginie Déjos
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Répétiteurs
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Nicolas Chesneau
Flore Merlin
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Preparation of the child soloists
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Pascale Diéval-Wils
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Magical effects
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Rémy Berthier
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Assistant director
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Kapitolina Tsvetkova
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Dramaturgy
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Miron Hakenbeck
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VIDEOS
STORY
Prologue
Chloé and her partner reminisce about the first time they met. To take her mind off her illness for a moment, Chloé suggests making up a fantastical love story: a carefree, whimsical young man, passionate about jazz and able to talk to mice, is searching for true love.
Act I
Colin is delighted at the prospect of spending the evening with his best friend, Chick. For the occasion, his new chef, Nicolas, has devised an extravagant recipe. Colin introduces Chick to his latest invention, the pianocktail: the instrument composes drinks based on the notes played on the keyboard. Chick mixes two cocktails to the music of Solitude. Then he tells Colin about meeting Alise, who shares his passion for the philosopher Jean-Sol Partre. Colin would also like to ‘find a girl’. Chick suggests they go skating the next day.
At the ice rink, Colin meets up with Chick and Alise, then Isis, who invites everyone to a party to celebrate her little dog’s birthday. A tragic accident involving a skater casts a shadow over the occasion.
Colin is hoping to meet a girl at Isis’s party. During the party, Alise reproaches Chick for not wanting to marry her, preferring his passion for the writings of Partre. Colin tries to smooth things over. Isis introduces him to a girl: Chloé. Her name reminds him of a famous Duke Ellington track, to which they dance.
Later, a pink cloud envelops Chloé and Colin when they meet up for a stroll through town. Disturbed by violent scenes on advertising posters, they head to a park and end up close.
Act II
Colin is over the moon: he is about to marry the woman of his dreams. Chloé, Alise and Isis are happily getting ready for the wedding. Only Coriolan and Pegasus are disappointed that the handsome Colin is marrying a girl.
After the church ceremony, Chloé and Colin set off on their honeymoon. Driven by Nicolas, they pass through a region of copper mines. The workers’ worn-out bodies frighten Chloé; Colin insists that it is foolish and senseless to waste one’s life on manual labour.
Back home, Chloé complains of chest pains; the mouse that shares their flat injures itself while cleaning the windows. Colin puts on some music, which takes the newlyweds back to the happiness of their early days, whilst the house begins to exhibit strange phenomena. The doctor detects a strange sound in Chloé’s right lung and writes a prescription.
On their way to the chemist’s, Colin and Chick share their worries: Chick fears he’ll never be able to marry Alise because he spends all his money on books by his idol, Partre. Colin can’t help him: he himself has spent his entire fortune on buying fresh flowers, whose scent is supposed to prevent the growth of the water lily diagnosed in Chloé’s lung.
Chloé has had an operation, but the disease has spread to her other lung. Colin reads Chloé the story of Tristan and Iseult and decides to look for work.
Act III
Hopes for Chloe’s recovery fade. Colin is hired at a weapons factory. Desperate after being cast out by Chick, Alise visits Chloe. Colin tries to comfort her; for a moment, they both regret not having met sooner.
The Seneschal bursts into Chick’s house with a SWAT team to recover his debts. Trying to save his books from destruction by the police, Chick is shot dead. At the same time, Alise, convinced she has found a way to save Chick, sets fire to the bookshops to destroy all of Partre’s works.
Chloé is dead. At the funeral, Colin accuses Jesus: what meaning does he see in this death? Jesus denies all responsibility. Colin is left alone.
Chloé and her partner finish the story. They take on the roles of the cat and the mouse: the mouse can no longer bear Colin’s pain and asks the cat for help. The cat grants her the mercy of a quick and painless end. The mouse rests her head in the cat’s mouth: if someone steps on her tail, he will snap his jaws shut. In the distance, a little girl’s singing can be heard.
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